Imprint

 

his relentless fingers
follow an unbroken trajectory
of lusty greed
over my feverish skin,
smearing impossible daydreams
like a vibrant painting
bathed in hues of red
over my flawed body;
an immortal imprint
searing through my flesh slowly,
tendrils of heat
spreading tantalizing
through my veins,
mingling my blood with his essence,
leaving on my tongue
the scorching taste
of his maddening presence
like a permanent after taste
or an inescapable memory
of skin against skin,
of body against body,
united but never colliding –
an everlasting reverie.

Reminiscence

 

it’s funny how it’s the little things that remind me of it. like the chill of the August rain pitter-pattering on my naked feet at the doorstep. like the taste of strawberry cream on the tip of my tongue. like the little spots of red, yellow and green in the darkness as i close my eyes against the sunlight.

it’s funny how the memories resurface out of nowhere. like an uninvited black cloud suddenly overshadowing a bright day. like an inescapable reality casting a darkness upon every soul that toils under it. so unlike the calm shade of a cheerful, happy reminiscence. so unlike the happy nostalgia of a gentle, radiant day

it’s funny how some words stay with us forever. and every song we ever hear is like an echo. an echo of those same old syllables we fail to forget. a long lost prophecy foretelling our destructive destiny. like a happy high note melting into a melancholic low lullaby.

it’s funny how before and after works. how easy it seems to conjure up dead realities and yet how impossible it seems to ever be able to touch them again. how easy it is to remember and how impossible to forget. how easy it is to wish it wasn’t real and how impossible to realise how real it really is.

Ruminating ‘Raazi’

 

It is rare for a film that begins with dramatic, patriotic dialogue to end on a realistic note that truly questions war instead of glorifying it. Raazi accomplishes not just this commendable feat but also chooses to do so by portraying raw, personal turmoil instead of gruesome, action-packed violence.

The focus of the film initially appears to be on an individual’s duty to his/her country and the honour embedded in this duty. But slowly and gradually, the story unravels the ethical dilemma of the conflict of war:

Is the fight for peace really worth it when the very process to achieve it causes the complete opposite; when, to protect the majority, a few individuals are subjected to the very worst of trauma and suffering?

Yuval Noah Harari, in his book, Sapiens: A Brief History of Humankind, explains the concept of imagined realities which Raazi very poignantly yet subtly portrays. Imagined realities are ‘common myths that exist only in people’s collective imagination’. A ‘nation‘ is an imagined reality – a notion based on invisible, manmade borders – and so is ‘family‘ – nothing more than an alliance of humans who share some DNA and consequently, some resources. It’s a gross oversimplication without the emotional context, isn’t it?

Emotion is where things start to get complicated and that is exactly what Raazi expertly uses to paint a picture of the conflict between nation and family – a conflict of imagined realities. To whom does Sehmat truly owe her loyalty – her motherland or her husband’s family? Her father’s legacy of honour or her own conscience?

A terrible moral dilemma, all in the name of patriotism, transforms a young, innocent girl into committing murders and becoming an agent in the death and grief of others, including her own in-laws, some of whom were simply innocent bystanders. Their suffering is a screaming testimony of the harshest truth: every person is a victim in war. The enemy is not a monster – just someone with a different viewpoint who suffers equally. There is no real winner.

Raazi‘s message is the irony of war – that the very structures that are supposed to provide us with peace, security and efficiency tear apart our lives to ensure their own survival. Sehmat’s screams of anguish are the voice of every war victim’s question: What was it really worth?

Barefoot

 

You know that warm, comforting feeling you get when you step onto soft grass with your bare feet? How the blades of grass gently tingle your skin and you feel a kind of one-ness with the earth?

You know that relieved breath of sigh you let out when you step out of your tiring shoes and sweaty socks at the end of a long day and let your toes feel the floor of your house? How the cool, hard tiled floor sends shivers of happiness right up your spine and you feel the majority of your stress and exhaustion just melt away into the ground?

You know that funky, uplifting feeling you get when you let your toes wriggle in the hot sand of a sunny, gorgeous beach? How your feet sink into the sand and you just become a part of the nature and beauty of the place itself?

I really hope you know how all this feels. I hope you’re not like me, terrified of letting myself walk barefoot on the ground for no logical reason. I hope when your toes touch the floor, you’re able to appreciate the beautiful feeling for me because damn, I wish I was in your place.

Letter to My Stranger

Dear Stranger,

I guess I’ve got some things to clear up with you. And even more to apologise for.

I know I’ve been acting weirdly and I’m sorry if I’ve made you uncomfortable. I did not mean to stare quite so hard at you, really. But it is partly your fault. You were the one who looked over first. And how do I explain what that did to me?

No, it’s not how you think it is. No, I’m not obsessed with you.

Fate is cruel. And so are your eyes. For they remind me of something. A someone who once mercilessly grabbed my arm and stomped on my already broken sanity. Your eyes have his laugh, Stranger. It knocks all breath out of my body.

It’s so much easier telling the world and even myself that I’m attracted to you because it’s the biggest lie I’ve ever spoken. And I could be a professional for all the lies I’ve told in my life. So that’s what I do. I tell them I’m hopelessly attracted to you so they’d think my abnormal attentiveness to your presence is normal.

Attraction is thrilling. But the shreds of my mind confuses that thrill with fear way too often. And that’s what’s happening between you and me. My own fear is pulling me towards you instead of making me run. It’s not courage. It’s self destruction.

My eyes are fixed on every move you make in a horrified paralysis. My mind is frantic with terror, seeing nothing but that imaginary monster in you and that monster alone. My body is cold with memory for it remembers more than my mind does, even the bits I subconsciously shut out to protect myself.

Dear Stranger, you make it more difficult when you stare back. And I’m so sorry for never looking away. I’m so sorry for hating you for something you never were and never will be. I’m sorry for glaring at you and I’m sorry for the unreciprocated friendly smiles.

But mostly I’m sorry for ever having run into you and dragging you into the middle of my crazy world. You deserve it even less than I did.

Sincerely,

That Girl Who Stares Too Much.

Growing Up

 

I want to be five years old again. Back when colours were just colours and not reminders of people I once used to know. When happiness came in tiny, brightly-coloured packets of shiny candy and wasn’t accompanied with bitter memories that turned my tongue sour. When love was the toys I shared with my friends and not an elusive firefly I could never catch, glowing dimmer and dimmer the closer I got to it.

I want to be eight years old again. Back when games were just games, innocent fun to pass a lazy summer day and this deadly hide-and-seek life now plays with me was still in the future, far away. When my fingers were still learning to grip my pen with ease and not ripping apart notebooks filled with words from a past me. When songs were sung in high, exulted notes and not a voice near breaking for the fifth time today.

I want to be fifteen years old again. Back when breathing was something I did without a thought and didn’t have to think twice about laughing too hard. When a door was just a door with exciting adventures behind it and not a door with monsters lurking in the corners beside it. When life was a road I was yearning to walk, my eyes blissfully oblivious of the weeds that grew further down the path.

I don’t want to be twenty years old yet. I still have to call the people I think of when my eyes catch a certain shade of yellow. I still have to thank everyone who bought me candy when I was eleven. I still need to chase that firefly and seek the future. I still have to tape together the ripped notebooks, still need to try singing that song again because I’m positive, this time I can do it. I still need to catch my breath just so I can laugh some more. Still have to try the knob of every door. And when I’m done with all of that, I still need to put on a new pair of shoes and dance my way through all those weeds that lurk down the paths I choose.

Threat

 

It’s a vicious cycle. This endless cycle of disappointment.

You say words I never expected you to, words that sting like a mother. Then I defy you in those open acts of rebellion that are the shining feature of my personality. Stubborn. Irrational. Self-destructive.

It makes you glare at me, my defiance. I can feel the heat of your anger rolling off your skin. Your compulsive need to tame me making your hands itch. I can see your fingers twitching. I can feel the red spots in your vision.

And that is when your hand rises. The end of the power struggle. Your victory over me. Brute strength always wins this battle. Especially when I am right.

You are in control. And you leave no opportunity to remind me of that.

But that is not where the story ends. Because the wounds you inflict on me are the signs of your real failure. Your failure as a man. They are the evidence of how wrong you are.

One day, I shall parade them. One day, when you’ve ruined me enough for nakedness to not bother me anymore, I will parade them. One day, you’ll feel my shame. One day, you’ll see disappointment and hate in their eyes too, like I saw in yours.

My bruises might be hidden for now, protecting you awhile, but one day, the bloody gashes inside my head will give me the ink to write out your doom.

 

 

Image Credit: https://agnes-cecile.deviantart.com/art/are-scars-on-body-217843735

The Devil’s Plaything

 

Breathless, I strain

Against the pull of the puppet string –

Trapped, encaged

In the confines of the circus ring.

Like a demonic sadist,

You torture me like a mere plaything.

From one crazy height

To another of insanity you swing.

Flirting with madness,

You revel in your lunatic fling;

Forcing me on the tightrope,

You laugh at how I struggle to cling.

You pull at me harder

Just to relish in how my screams sing,

For I am your puppet

And you, insanity’s best circus king.

~Diksha

 

Image source: https://in.pinterest.com/pin/485262928576155289/

A Wintery Walk

 

The rush

Of the winter breeze

Against my cheek,

The thump

Of my cold feet

On the pavement

While my fingers freeze,

A sharp intake

Of breath – the building up

Of a sneeze,

The chills

Of the morning air

Whispering in my ear

Like a mischievous tease.

~Diksha

The Erring (Wo)Man

 

Each of man’s quarrels –

The woman’s fault:

An ageless blame game

That he would not halt.

Battle and bloodshed –

The woman’s fault;

At every turn of the road,

Her honour suffers assault.

Man’s fall from grace –

The woman’s fault;

Of his own superiority

Must fickle man always exalt?

~Diksha